Misilmeri (The resting place of the Emir)
Joseph Inga
At the heart of this collection lies a deep generational nostalgia for Sicilian identity. I was drawn to what Leonardo Sciascia calls the “Sicilian palimpsest”; the idea that Sicily is a land written over many times, its identity shaped by waves of conquest, migration, and memory. I sought to express this complexity, its darkness and light, through a refined men’s wardrobe. An undercurrent of nomadism informs the silhouettes, inspired by the Maghreb’s flowing forms as imagined in Fortuny y Marsal’s orientalist paintings, and echoed in the work of Sicilian photographers who capture the island’s shifting sense of time and place. Every fabric in the collection carries a story. I used rare textiles such as inherited pure cashmere, French striped cotton and silks from the corners of Marché Saint-Ouen. Military badges and regimental braid, found in a shuttered Old Kent Road wholesaler, were deconstructed from antique dress uniforms and reimagined with reverence and fantasy. Colour emerged organically through natural-dyeing and hand bleaching, drawing from the Sicilian landscape: wine-dark seas, pink-blushed sunsets, and violet night skies. Garments are subtly manipulated, wrapped, draped, and folded to create structure without rigidity, offering an emotionally resonant elegance.
Menswear design student at the University of Westminster with a foundation in costume and fashion design from The Brit School and KCC. Industry experience includes internships at BLESS Paris, Studio Nicholson, and Johanna Parv, contributing across CAD, garment development, and archival research. My work combines cultural narrative with technical precision, using rare vintage textiles, natural dyeing, and minimal-waste methods. Focused on refined menswear that balances craft, movement, and emotional depth.

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