Between Noise and Stillness: A Working Archive for Millennium Mills
Iris Fani
This project reimagines Millennium Mills as a working archive, where industrial memory is not preserved as a static ruin, but reactivated through making, film, movement, sound and spatial experimentation. The work began by reading the site as a collection of broken fragments: cranes, structural traces, façade pieces and machinery residues. These fragments became active design elements, tested through drawing, model-making, projection, material studies and digital exploration.
The rotating archive table explored how pieces of the mill could be repositioned across a circular terrain, transforming the archive into something mobile and constantly changing. Its red surface compressed folds, voids and structural memories into one continuous spatial map, where fragments could be read as both evidence of the past and tools for future design.
This process developed into a carved architectural proposal, where the building is cut into the ground rather than placed on top of it. The plan organises the Film Chamber, Tunnel Conduit, Fabrication Atelier, Working Archive, Noise Hall, Roof Walk, Resonance Balcony and River Edge Platform as part of one continuous landscape shaped by the foot tunnel and river edge.
VR was used to experience the proposal from within, testing movement, atmosphere, scale and sound across the carved spaces. Together, the images show a project moving between archaeology and construction, stillness and noise. The final proposal becomes an inhabitable landscape where fragments of the industrial past are reimagined through film, sound, making, projection and immersive spatial experience.

Fragments in Motion: Reimagining Millennium Mills

Material Fragments in Formation

Ground, Archive and Resonance

Carved Plan of the Working Archive
A filmic exploration of the project’s evolution, tracing how material tests, carved forms and displaced fragments begin to shape a new architectural language. The video captures the design process as something active and uncertain, where the model is not a final object but a field of investigation, slowly revealing spaces through light, movement, texture and transformation.

Industrial Fragments and Site Memory



