Input, Output

This collection operates through a design language of input and output — a continuous process of absorbing, transforming, and reissuing references. Fashion is approached as translation, where the familiar is reconfigured and meaning shifts through repetition and change.
Archetypes form the starting point. The T-shirt and jeans are collapsed into a single bodysuit, reinforcing their permanence while undoing their function. The ordinary is both fixed and destabilised.
A parallel narrative draws from the construction of the spacesuit, introducing a language of contradiction. Soft jersey is set against functional hardware, diagonal zippers, exposed fastenings, reflective surfaces — elements that move between structure and surface. These details are not replicated; they are translated and extend across the collection.
Graphic interventions act as embedded fragments. Motifs drawn from artists, Fluxus and pictograms are absorbed into the system, operating as signals rather than statements.
Across the collection, garments become sites of accumulation, where references, materials, and functions intersect. Meaning remains unstable — formed through translation, contradiction, and reconfiguration.