I’m fascinated by the regenerative power of nature. Growing up, my mum was unwell and received a liver transplant that saved her life. I was inspired by the resilience of her body and her sense of hope and courage. Using abstracted natural forms, I wanted to create a collection that explores the transient cycles of stark decay into new life - telling a story of hope and rejuvenation. I’m also deeply inspired by artisanal skills. I learned a unique method of felting from a textile artist in my hometown, which became central to the development of materials for this collection. Most garments are made from wool and silk using a technique called Nuno felting - a Japanese process where wool fibres are fused into soft, fluid sheer fabric bases. This technique allowed me to create experimental organic shapes that move beyond traditional garment construction. Natural tones are paired with deep, saturated shades of dark berry and olive green, contrasted against lighter, faded hues of pink, yellow, and white. I used hand-dyeing and hand-painting to create raw ombré effects that echo the power and unpredictability of the natural world.

James Rowland designs with a strong use of colours, rich textures, and sculptural silhouettes. With a background in both womenswear and menswear, his final collection turns its focus to the former - delving into the expressive potential of abstract drapery and three-dimensional pattern cutting to convey meaningful concepts.